CECI 
MORALES-ENRIQUEZ
Hi, I’m Ceci (seh-SEE) — short for Cecilia.

I’m a multidisciplinary designer and art director based in Detroit, MI, originally from Mexico. My work is driven by storytelling, experimentation, and bold visual thinking, shaped by a lifelong love of creating.

I’m currently earning a BFA in Communication Design & Strategy with a minor in Photography at the College for Creative Studies. I’m most passionate about advertising, photography, motion, and branding. I hope to create impactful ad campaigns that resonate and stick with every person who comes into contact with them. My process is focused on experimentation and storytelling, always continuing to ideate and play. 

When I am not designing, you will find me searching through every aisle at the thrift store for my next statement piece, collecting trinkets, or waiting for the next karaoke night out with my friends.
 

Contact Me:

Email: cmorales@ccsdetroit.edu
Instagram: purp1e_crayon

03 “GET OUT” TITTLE SEQUENCE RE-DESIGN
Motion Design


WINTER 2025 

PARTNER:
ETHAN PHAIL When I first watched “Get Out,” I was immediately enthralled by the suspense of what was about to unfold. This thrilling movie is one of Jordan Peele's most critically acclaimed movies that won him an Oscar for best screenplay. When tasked to re-design a title sequence, Ethan Phail and I made a list of every movie we had watched, and at the end we came together to decide on “Get Out.” To begin the research portion of the brief, we re-watched the movie together and wrote down notes of important plot points, possible metaphors, colors, quotes, and visual imagery that the movie used. The next task was the mind map. We focused on researching the colors in the movie, the shot visuals, the graphic visuals, the type, the themes, the sounds, and the metaphors/symbolism. During this process, we watched discussion videos and read articles interviewing Peele. We began to have different elements that called out to us as visual clues into what we wanted to do with the title sequence. After our research was done, we focused on the mood and tone of it by mood boarding all our ideas. We liked the idea of playing with split screens or doubles of things, as well as playing with a void and distortions. When beginning to create our initial storyboards, I took a trip to Belle Isle and shot countless photos of wilderness. I focused on getting photos that had an eerie and a little bit off putting vibe to them to match the overall tone of the movie. Ethan and I found that the best way to tell this story was through collaging found media with our own nature photos and footage. Once we actually delved into making the title sequence, I took charge of storyboarding our ideas out by drawing out each frame in our animatic and figuring out how I wanted the type to lay out. While Ethan focused on sound mixing and colorgrading, I began to put together the initial rough cut. Once Ethan and I came together again we played with distortion effects to represent split personalities and divide between black and white and got the timing right. After countless rounds of critique we finally had a finished project. In this project I learned how to create a cohesive story as well as work alongside a partner to blend our ideas to create a final piece.




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